Focusing Your Passion

My creative friends are my most passionate.  They become passionate about topics of discussion, about their friend’s romantic situations, their partners behavior, other people’s life choices or opposing views in a social media post. 

Passion is amazing, and I love that these people are in my life.  I only wonder, every now and then, what their lives would be… where they would end up… if that passion were focused toward their dreams instead.  

See, these same people who talk to me for hours about their broken love life, or the behavior of some person they know… these same people are the ones who can’t figure out why their career isn’t moving forward… why their dreams aren’t coming true.  

Their conversations run a mile a minute about so many topics of discontent and so many things that pull their mental energy.  I wonder how on Earth the Universe will ever weed through all that noise to find the one little piece of them that is screaming to be heard.  Yelling with its tiny voice “but I want to be an actor” “but I’m an amazing storyteller” “but I’m meant to change the world”

Immense passion is one of the best traits a life can be blessed with.  To embrace and be driven by your heart and how deeply you care is a beautiful way to be.  

To focus that passion in one direction?  

Now, that… that could change the world.


-Kym Jackson (Author - The Hollywood Survival Guide)

www.TheHollywoodSurvivalGuide.com

How To Create a TV Series Pitch Package

When a writer comes up with an amazing idea for a TV show and wants to pitch it to a network, a ‘Show Bible’ is created, which includes the following materials:

•     Overview of the show
•     Target demographic
•     Style of show
•     Intended network
•     Intended timeslot
•     Intended number of episodes per season
•     Intended budget per episode
•     Series lead character breakdown
•     Series regular character breakdown
•     Intended cast or character prototypes using existing celebrities
•     Full ‘treatment’ for each of the episodes in the first season
•     Pilot script for the show
•     Marketing plan
•     Financial figures from comparative shows in the genre or style
•     Full scripts for additional episodes are occasionally added

These items are combined with a few additions that may be specific to the project. The writer’s agent, manager, or producer (or anyone who knows the right people) sets up a ‘pitch session’ with executives from each of the TV networks for which the show may be appropriate. The writer and/or producer attend each meeting, show bible in hand, and pitch their concept.

Each major network only has enough time slots for a certain number of new shows each season, but will finance several times that number of pilots. For example, a network might finance fifteen TV pilots for a given season. Those fifteen pilots are cast, filmed, edited and viewed by network executives and test audiences. Of the fifteen, the network may only select three or four shows to ‘pick up’.

A TV show being picked up means the network agrees to finance additional episodes of the show (usually in blocks of 12 for network TV and 13 for cable), and allocates a time slot for it to be aired. The creator(s) of the concept and the writer(s) who wrote the pilot episode almost always become executive producers or consulting producers of the series. Modifications are made to the show according to the results of test audience screenings and network input. Storylines are changed (if necessary), and some characters may be removed, added, or re-cast.

Unfortunately, pilots that don’t get picked up are rarely ‘saved’ for another season. This is partly because the cast and crew move on to their next projects. With a different cast and crew, the existing pilot episode would no longer be an accurate ‘sample’ of what the show could be like. Sometimes, however, a show will sell a TV series to another network after not picking the show up themselves.

When a TV show airs, the ‘ratings’ (number of viewers) it gets on American TV determine whether it stays on the air. The ratings are called ‘Nielsen Ratings’ (named after Arthur Nielsen). Shows can be taken off the air after as few as one episode, or after many seasons, depending on how the show is rating at the time.

The pilots that are ‘picked up’ are announced in May each year. A week later, the ‘upfronts’ (meetings where many TV commercial timeslots are pre-sold) take place. ABC and NBC each shoot an average of 20–25 pilots and pick up around ten. CBS, FOX, and CW each shoot between ten and twenty, and usually pick up around five. 

Preparing For LA

If you can’t get to LA yet, there are many things you can be doing right now to prepare:

•    SAVE AS MUCH MONEY AS POSSIBLE. Think of every fifty dollars you don’t spend as one more day you can survive in LA.
•    STUDY YOUR CRAFT. Take the best acting classes you can find as often as you’re able.
•    Learn a PERFECT standard American accent.
•    GET ON STAGE. I can tell whether an actor has a substantial theatre background within moments of watching them perform. It will add tangible depth and layers to your work. Do community theatre, school plays, whatever you can get your hands on.
•    Learn how to do as many accents as you can. This skill will aid you for the rest of your career.
•    Girls should learn how to do hair and makeup to suit different roles.
•    Fix your teeth. Make sure they’re straight and white, unless your type is ‘creepy homeless guy’. This is more important than you’d think for lead roles in LA.
•    Fix your skin. Eat less sugar, drink more water, eat well, exercise, cleanse, tone, and moisturize your face twice a day … and if that doesn’t work, see a specialist. Clear skin is a must for American TV and film.
•    EXERCISE! You need high energy and great stamina to stay alert on a film or TV set for twelve hours a day. If you want to play lead roles, get your body looking healthy and toned for your body type. Do not simply try to ‘get skinny’.
•    Find two great two-person scenes from films. One comedic and one dramatic. Memorize and prepare. These will be your showcase scenes.
•    Find two great monologues: one comedic and one dramatic. Memorize and prepare. You will use these in the rare instances a director asks you to audition with a “monologue of your choice”.
•    Film yourself performing scenes as often as possible.
•    Go to AS MANY AUDITIONS AS YOU CAN. Think of every audition as a free class on audition techniques.
•    Do LOTS of short films and indie features to gain on-set experience.
•    Read scripts of great films online at Scriptapolooza.com or InkTip.com to become familiar with what a good script looks like.
•    Watch every single one of the ‘top 250 movies’ listed on IMDBpro and observe who cast and directed them.
•    Select a top director and watch a selection of their films. Become familiar with the top directors in the industry.
•    Watch every movie that has ever won best picture, actor or actress at the academy awards.
•    Watch American hit TV shows and learn the CD and actor’s names.
•    Join every casting website in your area.
•    Improve your cold reading skills by reading dialogue into a mirror for fifteen minutes a day.
•    Get some friends together and shoot a web series for FunnyOrDie.com or YouTube.com.
•    Get your resume, headshot and demo up to a professional standard.
•    Practice memorization. Memorize one page of a character’s dialogue from a two-person scene every day. Aim to be off-book in ten minutes.
•    Go to every film festival close enough for you to get to.
•    Try writing a film or scene. Writing helps you understand more about what goes into creating characters and stories.
•    ‘Follow the top filmmakers and actors on Twitter and Facebook. Watch how they market themselves and interact with their fan base.
•    Write a business plan for your acting career. Write one for the next 1 year, 2 years and 5 years.